The Italy Pavilion for Expo 2020 Dubai will use architecture for a creative and innovative presentation of “beauty that connects people”. The project sees the involvement of Carlo Ratti, Italo Rota, Matteo Gatto and F&M Ingegneria.
The radical design is based on a circular approach to architecture. Three boats will arrive in Dubai and will be converted into the pavilion’s roofscape. In a similar way, the project integrates sustainable materials – such as orange peels, coffee grounds, mycelium and recycled plastic extracted from the ocean – as construction elements.
The pavilion is exposed to the atmosphere, using natural climate control strategies instead of air conditioning. Space is delimited by an adaptable façade made of LED curtains and nautical ropes, which will create a digital layer able to broadcast multimedia content.
“We liked the idea of a pavilion that would continuously mutate into different forms,” says Carlo Ratti, founding partner of CRA practice and director of the MIT Senseable City Lab at the Massachusetts Institute of Technology (MIT). “We pursued a kind of architecture that could be reconfigured both in the long term – because of its circularity – and in the short term – thanks to digital technologies.”
The pavilion is circular in nature. The pavilion’s roof is a sinuous surface that recalls sea and desert waves. The base of the pavilion is carved out of a giant sand dune, accessible to people. The project makes a conscious effort to integrate materials that hint at Dubai’s local geography, as well as organic waste to experiment with more sustainable building practices and engage with the circular economy. For instance, the exhibition will stretch over a dune made with real sand, while the skywalk will be clad in innovative materials obtained from discarded orange peels and used coffee grounds.
The project explores the importance of history, tradition and memory in sparking innovation, while paying tribute to the seafaring populations that have inhabited the Mediterranean basin through history, shaping a common cultural heritage.
The pavilion continues CRA’s ongoing experimentation with innovative exhibition structures at World Fairs. Previous projects include the Digital Water Pavilion, a water-based structure at Expo Zaragoza 2008 that employed sensors to interpret and react to people’s movements–and was named by Time magazine one of the “Best Inventions of the Year”– and the Future Food District, an interactive retail space developed for Expo Milan 2015.
Carlo Ratti joined the jury of the 2019-2020 EURASIAN PRIZE International Competition. We remind you that the acceptance of applications for the competition continues. See the list of nominations and conditions for participation in the competition. Register now.